Reblogged from vernonyussufchikatilo

superawesomeshop:

Since 1997 Brazilian artist Andre Muniz Gonzaga has been turning haphazard, porous, or cracked surfaces into bizarre, misshapen faces in his unique style of street art portraiture. His site-specific paintings have appeared around the world this year in places like Senegal, Portugal, Berlin, Amsterdam and of course his native Brazil.

@jonbatiste second line in Union Square #nyc #secondline #nola #music #art #artoutside #busstation #usq #unionsquare #stayhuman (at Hyatt Union Square New York)

Reblogged from grafflicks

Reblogged from cali-cocaine

(Source: weheartit.com)

A wind mobile in Pennsylvania at #Galer estate vineyard and winery.  #art #artoutside #mobile #nature #pa #pennsylvania #winery #vineyard #craft (at Galer Estate Vineyard and Winery)

A wind mobile in Pennsylvania at #Galer estate vineyard and winery. #art #artoutside #mobile #nature #pa #pennsylvania #winery #vineyard #craft (at Galer Estate Vineyard and Winery)

Reblogged from ageotropic-deactivated20131222

Kiki Smith - Lilith, 1994 - Bronze, silicon, and glass.

“In medieval Jewish lore, Lilith was Adam’s first wife.  When she demanded to be Adam’s equal, she was evicted from the Garden of Eden.  Lilith flew away to the demon world, replaced by the more submissive Eve.  Smith catches us off guard with Lilith’s pose and placement.  Most sculptures receive our gaze passively, but Lilith stares back with piercing brown eyes, ready to pounce.”

(Source: minorfallandthemajorlift)

Reblogged from ageotropic-deactivated20131222

(Source: theartofanimation)

#NaS #iam #illmatic #canvas  (at The DL)

#NaS #iam #illmatic #canvas (at The DL)

NY State of Mind. #art #nyc #nas #delancey #thedl #handwriting #monster (at The DL)

NY State of Mind. #art #nyc #nas #delancey #thedl #handwriting #monster (at The DL)

Reblogged from iteeth

art21:

What Will Come (2007)—which is about the Italian-Ethiopian war of the 1930s—works on the principle that what is distorted in the projection gets corrected in the viewer’s seeing of it in a mirror. So the distortion is the correction and the original is the distorted.”
—William Kentridge

Today, we join Tyler Green—along with a number of other art blogs and websites—in spotlighting the important works found in the collections at the Detroit Institute of Arts.

Seen here is William Kentridge’s anamorphic film, What Will Come (2007), as featured in two Art21 films: Compassion (2009) and William Kentridge: Anything Is Possible (2010). The work is included in the collection at the Detroit Institute of Arts, acquired by the museum in 2008.

Learn more about the “A Day for Detroit” initiative at Modern Art Notes.

IMAGES: William Kentridge, What Will Come (2007), installation view at 16th Biennale of Sydney, Australia, 2008. Production stills from the film William Kentridge: Anything Is Possible. © Art21, Inc. 2010. Artwork courtesy of Marian Goodman Gallery.

Roid rage begins. Thanks @impossibleproject. Gold all in my shot. #polaroid #photo #treats #sprungforspring

Roid rage begins. Thanks @impossibleproject. Gold all in my shot. #polaroid #photo #treats #sprungforspring

The latest issue of #INSIGHTmagazine is all about gratitude. Thanks to @chrisrwk for the cover which was super fitting. #insight #gratitude #art #fokus #cru

The latest issue of #INSIGHTmagazine is all about gratitude. Thanks to @chrisrwk for the cover which was super fitting. #insight #gratitude #art #fokus #cru

#FOKUSonher

Featured Artist: Chitra Ganesh
Featured Work: Earth Babies

http://www.chitraganesh.com/pt18.html

#FOKUSonher

Featured Artist: Chitra Ganesh
Featured Work: Earth Babies

http://www.chitraganesh.com/pt18.html

#FOKUSonher

Featured Artists: Body Waves
Featured Work: “Crossroads”

https://www.youtube.com/watch?v=wp9mpL81td4

New logo. New buttons. #buttons #freebies #magnets #fokus

New logo. New buttons. #buttons #freebies #magnets #fokus